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Why did Prospero and Miranda turn against Caliban?

According to Act I of The Tempest, why have Prospero and Miranda turned against Caliban? He means that Miranda has harmed him because she has shown him there is a wider world beyond his reach. He means that Miranda has taught him to despise himself because he comes from a questionable background.

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Who is Caliban and Ariel?

Caliban is the offspring of the witch who ruled the island before Prospero. They are servants of Prospero. Caliban is more of a servant than a magician and he does a lot of magic at his master's command.

And another question, how old is ferdinand in the tempest?

William Shakespeare does not reveal Ferdinand's exact age in the play. He is presented as a young man still navigating adulthood, close in age to... Who voice did Ferdinand follow? Answer: Voiced by John Cena, Ferdinand goes on a journey to escape and return home with the help of a mix of bulls, hedgehogs and a goat. Kate McKinnon, Gina Rodriguez, Daveed Diggs, Anthony Anderson and more voice Ferdinand's animal friends in the film, along with original music from Nick Jonas.

Who is Iris in The Tempest?

Iris is one of Prospero's spirits, representing the goddess of the rainbow in the masque. She acts as the mistress of ceremonies for the performance, invoking Ceres and calling forth the nymphs and reapers. Regarding this, why did this blue eyed hag punished ariel? Ans. The old hag here refers to Sycorax. She imprisoned Ariel for not carrying out her foul and disgusting orders. So with the help of her more powerful spirits, she imprisoned him in the rift of a pine tree.

Why does Prospero want his daughter's marriage to Ferdinand?

Ferdinand should wait until Miranda and him are married before having sex because that would be the right thing to do. This shows how much Prospero cares about Miranda's future with Ferdinand, as he wants his daughter to have a magical wedding.

Who do Sebastian and Antonio curse?

the Boatswain Sebastian and Antonio curse the Boatswain in his labors, masking their fear with profanity.

By Browne Bedsole

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